Author: Amélie Wen Zhao
Genre: Fantasy
Series: The Three Realms duology # 1
Publication: March 4, 2025 400 pages
Source: I received a review copy from the publisher in exchange for a honest review.
Nine years ago, the war between the Kingdom of Night and the Kingdom of Rivers tore Àn’yīng’s family apart, leaving her mother barely alive and a baby sister to fend for. Now the mortal realm is falling into eternal night, and mó—beautiful, ravenous demons—roam the land, feasting on the flesh of humans and drinking their souls.
Àn’yīng is no longer a helpless child, though. Armed with her crescent blades and trained in the ancient art of practitioning, she has decided to enter the Immortality Trials, which are open to any mortal who can survive the journey to the immortal realm. Those who complete the Trials are granted a pill of eternal life—the one thing Àn’yīng knows can heal her dying mother. But to attain the prize, she must survive the competition.
Death is common in the Trials. Yet oddly, Àn’yīng finds that someone is helping her stay alive. A rival contestant. Powerful and handsome, Yù’chén is as secretive about his past as he is about his motives for protecting Àn’yīng.
The longer she survives the Trials, the clearer it becomes that all is not right in the immortal realm. To save her mother and herself, Àn’yīng will need to figure out whether she can truly trust the stranger she’s falling for or if he’s the most dangerous player of all . . . for herself and for all the realms.
MY THOUGHTS
The world-building was confusing. The author drops the reader into the story, expecting them to already understand what’s going on. There are different realms and a magic system that is barely explained, if at all. The mortal realm is infested with nightmarish creatures, but their descriptions were vague, leaving me unsure of what they actually looked like. Àn’yīng, our main heroine, wields multiple magical blades, each with a different name and purpose, but again, none of it is properly explained. As the first book in a new series, it desperately needed a clearer foundation and setup.
The writing was okay, but the pacing suffered due to long, dense paragraphs that detailed every little thing, making the story drag. There was barely any dialogue, and the narration relied heavily on telling rather than showing. This made it difficult to stay engaged or connect with the characters. One of the biggest aspects of the novel was the trials, but they were so dull and uninspired that they never felt high-stakes or life-threatening.
Àn’yīng, our main character, was beyond insufferable. I had hoped that as the book progressed, she would grow on me but no, she never did. She is one of the most immature and annoying protagonists I’ve ever read. From the start, readers are told how strong Àn’yīng is, yet we never actually see it. Throughout the entire novel, she constantly needed saving—by Yù’chén, Hao Yang, his mother, and even the other contestants. She also harbors major prejudices against halflings until it’s convenient for her to forget them. For example, when she discovers that Yù’chén is a halfling, she tells him to stay away from her, refusing his help because he disgusts her. And what does she do right after? She befriends and hangs out with a group of halflings. She made disgusting remarks about Yù’chén to his face yet constantly lusts after him. She strings him along, pushes him away, then demands his help whenever she needs it; only to get mad when he uses his demon powers or bends the rules for her. She’s completely delusional, convinced that she’s been saving Yù’chén’s life and that he owed her. But when did she ever save him? Never. And somehow, he’s the one accused of stringing her along? I honestly felt bad for the guy. I have no idea why he likes her when her personality is awful. And don’t even get me started on Yù’chén’s nickname for Àn’yīng, Scorpion, it was not cute at all. I lost count of how many times I rolled my eyes.
I sadly did not enjoy any part of The Scorpion and the Night Blossom. The plot was weak, the world-building was lackluster, and most of the characters were flat. The most important thing to me in any novel is the protagonist, and Àn’yīng was truly a revolting person. I don’t recommend this book, but if you’re still curious, I’d suggest borrowing it from the library.