Author: Kristen Simmons
Genre: Dystopian
Series: N/A
Trade Paperback, 334 Pages
Publication: February 10, 2015 by Tor Teen
Source: I received a review copy from Saichek Publicity/Tor Books in exchange for a honest review.
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The Handmaid’s Tale meets Blood Red Road in Glass Arrow, the story of Aya, who lives with a small group of women on the run from the men who hunt them, men who want to auction off breeding rights to the highest bidder.I became a fan of Simmons after reading her standalone novel, Metaltown which also happens to be a Dystopian. And after the successful of Hulu’s adaptation of The Handmaid’s Tale I was more than eager to check out Simmons’s earlier novel, The Glass Arrow which also painted a bleak and oppressive society for women. Similar to Atwood’s novel, The Glass Arrows’s world covet child baring women, where they’ve become a highly fetched commodity and are auctioned off to the highest bidder. Girls are breed to continue this never-ending vicious cycle.
In a world where females are scarce and are hunted, then bought and sold at market for their breeding rights, 15-year old Aya has learned how to hide. With a ragtag bunch of other women and girls, she has successfully avoided capture and eked out a nomadic but free existence in the mountains. But when Aya’s luck runs out and she’s caught by a group of businessmen on a hunting expedition, fighting to survive takes on a whole new meaning.
The Glass Arrow is narrated and centered around Aya, a free teenager who is later captured, renamed Clover and ended up sharing the same fate as the girls in The Garden (camp/prison). The girls all await their turn to be auction up, some fight against the idea while others embrace it. Aya is definitely the former. And for the majority of the book, Aya is constantly contemplating her plans for escape. This made for a very slow pace novel, which wasn’t something I was used to in Dystopian novel. But don’t get me wrong, I still enjoyed it and seeing exactly what Aya thought. What I found interesting and refreshing was how normal Aya and the girls were. Also unlike most Dystopian heroines, Aya isn’t trying to incite some rebellion against the Government but she’s only thinking of herself; surviving and getting back to her adopted family. I liked that. I liked that a lot.
While The Glass Arrow wasn’t ground breaking or new, it still had a lot going for it. If you’re looking for something to hold you over till the next season of Hulu’s adaptation of The Handmaid’s Tale, I suggest checking out Simmons’s The Glass Arrow, which is a frightening realistic possibility of our future.
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